La Gran Entrevista: Tiempo para algo de romance latino.

Los campeones actuales de salsa, Oliver Pineda y su pareja Luda Kroitor, participaran en Baile Latino 2006, el cual se realizara en Bahrain del 13 - 15 de Junio. Asi que Marie-Claire sugirio porque no interrogarlos con algunas preguntas estremecedoras.

Que les inspiro para ser parte de la salsa?
Oliver: Mi familia bailaba salsa socialmente en el momento. Yo solo tenia 11 años asi que solo usaba las clases para pasar el tiempo y no estar solo en casa. Sin embargo, no paso mucho tiempo para que le agarrara gusto, saque a mi padre de la pista de baile y me hize pareja de mi madre en mi primer clase de baile. Poco despues conoci a una chica muy linda llamada Luda. Teniamos 11 y 12 en ese tiempo. El resto es historia...
Luda: Yo tenia 11 años y mi hermana celebro su fiesta de 18 en el club Lambada. El club presentaba un show Brazileño, del cual me enamore.Empeze a tomar clases de salsa en el mismo club a siguiente la semana y conoci a Oliver. De ahi en adelante como podria resitirme?
Quien ha sido la mayor influencia en su carrera de salsa?
Oliver: En la navidad del 2004 tuve el privilegio de trabajar bailando y aprendiendo del padrino de la salsa Eddie Torres en Nueva York por seis semanas.
Luda: Como a Oliver, pero realmente Oliver es la persona que ha sido la mayor influencia en mi carrera, no lo podria haber hecho sin el.
Que es lo que les gusta de enseñar salsa?
Oliver: Me encanta trabajar con la gente, ver como mejoran y sentirme orgulloso de ellos. Me gusta ver a los estudiantes alcanzar sus sueños, y saber que soy parte de eso... sea lo que sea.
Luda:Ver como la gente disfruta te hace querer seguir. Cuando ves a los estudiantes mejorar, o participar es mu recompensante.
Que cualidades hacen a un maestro bueno y exitoso?
Oliver: Paciencia, conocimiento, confidencia, personalidad y calor humano son solo algunas de cualidades necesarias para un buen y exitoso maestro.
Luda:La Paciencia es un virtud, regla numero uno. Asegurarte de enseñar a los estudiantes abilidades y disfrutarlas tu mismo.
Que crees que forme a un gran bailarin?
Oliver: A menudo los bailarines ponen sus vidas, corazon y alma en sus bailes apra ser los mejores. Creo que un gran bailarin no necesariamente es alguien que vive el baile pero que puede ser alguien que simplemente disfruta la musica y lo que hace.
LUda: Ser un gran bailarin lleva mucho trabajo, amor y paciencia. Buenos bailarines son gente que se disfrutan asi mismos. En un nivel profesional para mi un gran bailarin es el que esta limpio, y siempre recuerda que "Menos es Mas".
Cual ha sido la experiencia mas grande hasta hoy?
Oliver: Ganar el campeonato del 2001 IDO en Miami y ganar el Primer Campeonato Mundial de Salsa en el 2005 realizado en Las Vegas, Nevada.
Luda: Lo mismo que Oliver.

Que otros logros pretenden?
Oliver: Me gustaria defender mi titulo como campeon mundial y ganar muchas mas competencias. Tambien me gustaria dedicar mas tiempo a mi vida viajando por el mundo esparciendo el amor por el baile. Continuar construyendo mi escuela de danza Latin Motion Dance Academy y eventualmente construirla para que se convierta en un icono internacional e imperio esta tambien encabezando mi lista de que haceres.
Luda: Si no tuvieramos las mismas metas por alcanzar no estariamos bailando juntos. Asi que opino lo mismo.                                                                  Que esperan lograr con su participacion en Salsa Bahrain 2006?
Oliver: Me gustaria conocer y bailar con mucha gente nueva y ver por mi mismo las grandes cosas que he escuchado sobre la salsa en Bahrain.
Luda: Hemos escuchado que Behrain es muy bonito, y que la salsa es muy respetada y ha crecido mucho. Nos gustair compartir nuestro conocimiento y tambien aprender de una cultura diferente. Y claro bailar mucho y disfrutar.

What advice do you have for anyone interested in a career in salsa?
Oliver: It is very hard to have a career in dance unless you are in the right place at the right time. You either strive to be the best and travel a lot or start up a dance related business (which does not give you much time to dance) or in my case... do both! Be prepared to work hard, go through your ups and downs and have loads of fun!
Luda: Dance with the music. Remember, it takes lots of hard work, love, determination and never forget to have fun.
Who is your favourite salsa musical performer?
Oliver: Some of my favourite salsa dancers are Franklin Diaz (Male) & Griselle Ponce (Female). My favourite salsa musician is Tito Puente.
Luda: Same as above
Which song do you hate dancing to?
Oliver: Hate is a very strong word. I do not hate dancing to any song however I do feel some songs more than others. My toilet brakes happen when a Merengue comes on. Sorry Dominicans. 
Luda: I don’t think I hate any song.
What’s the best dance scene you’ve seen in a movie?
Oliver: You’ve Been Served! Those dance scenes inspire me to be born again and break dance!
Luda: All dance scenes from Dirty Dancing.
If you could dance with one celebrity, alive or dead, who would it be?
Oliver: Jennifer Lopez... need I say more?
Luda: Hard to answer. Justin Timberlake, I love his style.
If you had not learned to salsa, where do you think you would be now?
Oliver: I would have probably pursued my martial arts or some form of sports like soccer. I would have also pursued my music as I am a percussionist and Latin Percussion runs in my family.
Luda: I don’t want to even think about it!

Styles of Salsa

Cuban style
The original salsa style, as considered by most, which has been developing in Cuba since the 1950s. Cuban-style salsa can be danced either “on one” or “a contratiempo” – the latter is often referred to as “on two”. An essential element is the “cuba step” (also known as Guapea), where the leader does a backward basic on 1-2-3 and a forward basic on 5-6-7. The follower does the same, thereby mirroring the leader’s movement.
Colombian style
This style is common in Latin American countries. The leader and follower do most of the movements while standing in place. It stems from the Cuban style.
Los Angeles style
Developed in recent years, this is a style of salsa much effected by Hollywood and by the swing and mambo dances, thus being the most flashy style, which is considered “more show than dance” by many.
Eddie Torres style
The “NY Style” is a combination of the “On 1” and “On 2” systems. The timing of the steps are on the 1-2-3, 5-6-7 as in “On 1” but the breaks (where the body changes direction) occur on the 2 and 6 as in “On 2”. NY instructor Eddie Torres developed this step pattern around the late 70s and the 80s.
Ballroom Mambo
This style is similar to Los-Angeles style, but it is danced “On Two”. The basic step timing is 2-3-4, 6-7-8 with the breaks on 2 and 6.
Puerto Rican style
This style can be danced as “On One” or “On Two”. If danced as “On Two”, it is always danced on count 2, and not on count 6 as in Ladies-style NY.

1st Annual World Salsa Championships, 2005
By Edie, The Salsa FREAK

When I heard that this particular competition was going to be televised worldwide on ESPN, I thought to myself, “Well it’s about time the rest of the world see what we’re crazy about and addicted to! It’s about time that those that have taken Salsa dancing to an entirely new level be recognized!

Albert Torres and a group of seven unnamed investors calling themselves “The Salsa Seven” put together a Salsa Competition that was unprecedented. The 2005 World Championships took place at the Orleans Hotel in Las Vegas, Nevada. Couples from all over the world qualified at various Congresses and Festivals in their countries to compete at the World Championship finals in Las Vegas, so everyone who competed was already a winner. This particular competition however, was to see who was the “Best of the Best”.

You can’t deny talent. This event displayed just how far couples can take Salsa. The depth and complexity of their moves highlighted their talents as athletes in peak performance condition. These weren’t just dancers out there, these were artists – showcasing their craft to a level beyond what anyone would think possible.

Because there are few rules, this dance has exploded internationally like wildfire at a feverish rate. In less than 10 years, what was once a house party dance, Salsa dancing has grown into enormous international events called Salsa Congresses. Tens of thousands of crazy Salsa-Holics attend these events virtually every weekend in some part of the world.

The Styles of Salsa
The differing dance styles of Salsa are country-based. Although danced to the same music, the footwork, timing, and pattern styles look and feel completely different. For example, there is a Cuban Style and Puerto Rican Style. A derived variation from Cuban Style is Miami style. Derived variations from Puerto Rican style are New York and Los Angeles style. Colombia has its own style called Salsa Cali Style, which displays a more rapid-paced type of footwork. Tricks and lifts can be added to each style. In fact, this year the couple from Cali Colombia took first place Cabaret division. The footwork variations are endless, timeless, and beautiful in their own right.

To dance Salsa socially, you simply need to know the basic step; the rest is up to what style your peers in your particular city or country are dancing. There are so many different ways of dancing Salsa it can make your head spin. For example you can dance in a slot or linear fashion, or dance in a circular fashion. You can dance on the first beat of the music (On-One), on the second beat of the music (On-Two), or on any beat for that matter. It was interesting that for this particular competition, maintaining that same beat throughout the entire routine was 40% of the total score!

The Judges
There were four competing Divisions. On-One, On-Two, Team, and Cabaret.
The select panel of judges was perfect. Through the years, we’ve all experienced bogus judges like movie celebrities that didn’t know a thing about Salsa, or ballroom pros that never frequent Salsa nightclubs, or Tango pros that have never taught, much less seen street-style Salsa. This time, the Salsa Seven chose well-known, hard core Professional Salsa dancers that have either internationally taught, performed, promoted, competed, coached, or have created instructional Salsa DVDs. Every judge chosen lives and breaths the Street Salsa scene as if it were the last thing they would ever do.

Every judge chosen was well known throughout the world, and have established themselves as Ambassadors of Salsa through their many years of competing, teaching, showcasing, and promoting the business. They’ve also earned respect and reverence from their peers, worldwide. The distinguished panel of judges was: George Watabe from Japan, Spin from Korea, Nelson Flores, Jamie Josephson, and Luis Zegarra, from New York. Stacey Lopez, Tito and Tamara from Puerto Rico, and myself (Edie, The Salsa FREAK) from Los Angeles / Miami. Billy Fajardo was the head judge, and Katy Marlow was in charge of tabulating scores.

It was difficult to judge what seemed at times to be apples and oranges. The judges were asked to rate each couple from 1 (lowest score) to 10 (highest score) based on various performance criteria the judging committee specified. Professional Salsa judges base their final decisions on the perfection and execution of each move. Was it a clean routine? Did they dance with the music? Were they on time? How was their visual presentation, costumes and grooming? How complex was their routine?  Did the guy just stand there and spin the girl most of the time?  Was she doing all the work out there?  How creative was their routine? Did they compliment each other as a dance “couple”? The criteria given to us were simple, but every judge used their years of Salsa dancing experience far more than what was on that sheet of paper to base his or her final decisions.

The Sport of Salsa
Watching this competition was like watching an Olympic Figure Skating championship, or a Gymnastic Olympiad.The beautiful thing about Salsa dancing is its flexibility as both a social dance and a sport. The sport of it highlights the agility and flexibility of the moves, the artistic talents of the contestants, and the endurance of the athletes to maintain their energy throughout the entire number. Salsa Competitions also demonstrate the speed, control, and balance required to execute each routine flawlessly for the judges.

In the Cabaret division, couples are allowed to perform death-defying lifts and tricks, wowing the audience with their flexibility and agility as athletes. The balance, strength, speed and ability is identical to Ice Skaters lifting their partners off the ice in beautiful, picturesque poses.  In fact, there are many professional Salsa dancers who train world-class Olympian ice skaters in lifts and poses. The Cabaret division demonstrates the enormous strength and endurance of each couple.

The Team divisions were also able to execute “off-the-floor” moves that impressed the audience and judging panel. Every couple did an outstanding performance. There were a few that got the jitters out there, whether it was from the floor, or nerves from the television cameras. It was unusual for these couples to be showcased in such a large arena. The dance floor was enormous, and the arena could house well over 5,000 people.

To earn first place in the On-One and On-Two divisions, you had to be head and shoulders above the rest. In other words, there were the winners, and then there was a gap, and then there was the rest. You could see the depth and quantity of hours dancing together in the winning routines. I always say, that a quality routine is based on the quantity of time you spend together, rather than the quality of time. Luda and Oliver (On-Two winners - Australia) have been dancing together now for ten years and have competed many times before. Abel and Ziomara (On-One winners – Los Angeles) have been together now for two years, and rehearse virtually every day.

It helps to have a deep, mature partnership. It was interesting that both couples that won first place are not married to each other, nor are in a dating relationship together. They are strictly dance and business partners that share a love for the music and competing.

The Team division was more difficult to judge during the preliminaries because each team had timing issues. Timing in the Team division meant that one or more couple was not in sync with the rest of the group. In a Team competition, you are only as strong as your weakest link.

It wasn’t until the finals on Saturday, that the team called “Pretty Boys and Girls” from San Francisco showed their true colors – literally. They came out with the flashiest, most beautiful costumes, and executed a nearly flawless routine.

The Cabaret division was the most difficult to judge. The top three were Jhesus and Marielys from Puerto Rico, Rodrigo and Yesenia from Los Angeles, and Ricardo and Viviana from Cali Colombia. Each one of them could have taken first place. In the preliminary rounds, one couple didn’t display enough Salsa dancing, as part of the rules were that over 50% of the routine had to be recognizable Salsa. The judging criteria specified that a proper representation of Salsa dancing with lifts should clearly distinguish it from other gymnast-type of sports. The couple from Colombia clearly represented Salsa dancing with a few lifts and tricks both at the preliminary and final rounds. The other couples either made major mistakes in their routines or did not dance enough Salsa during the preliminary rounds that cost them the title at the finals.

Edie’s Personal Thoughts…
Cut the Fake and Stiff Left Arm While Walking Onstage.
I know this was an event for television, but the way the girls came out on the dance floor looked too much like a Ballroom competition. Their left arms pointed out looked too fake, and too stiff. Instead of Salseras trying to “copy” what the ballroom dancers do, we should come out with our own Salsa Style of walking out the dance floor. After speaking to a few social dancers each night after the competition, many were taken aback by this type of presentation. I personally would have liked to see a less stiff, more relaxed flowing movement of the hands; a more flowing, stylish, comfortable caress in the air, in and out, softly brushing the hip, up and out, with beautiful arm and finger styling. Why not let the ballroom women take a look at how “We Salseras” grace the stage prior to performing, and have THEM copy US for a change.

Audience should be allowed to social dance prior to the competition and between divisions.
It would have made the contest seem much less shorter if we took a “social dance” break for a song or two between divisions, and had social dancing start early in the evening before the competition started. We judged for literally four hours. Prior to the competition, DJ Frank from Los Angeles was playing some KILLER Salsa music. There was an exquisite dance floor, stunning music, and Salseros just SITTING THERE in the bleachers waiting for the competition to begin. I was in shock. I wanted to get up and dance so bad, but I had the feeling that I would have been the only one, and stared down by everyone! I think that most people felt they “weren’t allowed to dance” or something.

Make the Final, the "Final". Eliminate point accumulation.
Again, this is my personal opinion, but I feel that an accumulation of points over two days is not necessary, nor fair. The way couples dance at the finals should be the final decision, period. Judges should judge solely on how the couple does that night – not try to remember how much better they performed from the night before, or accumulate points from the night before. As in the Olympics, you only get one chance for that gold. Not an accumulation over time. This makes for a less controversial event, especially if only the finals are shown on television, or if people can only make it to the finals on Saturday, missing the preliminaries.

Where were the New York competitors in the On-Two Division?  Hm?  What's up with that NEW YORK??? 
No comment.   .:(

Even if they don’t change a thing, it was a fabulous, well-run, professional event. It was an honor and privilege to be asked to judge this competition. The social dancing afterward was to die for. The Salseros from Las Vegas ROCK’D MY WORLD!!! They are really, REALLY good!

It’s about time that those that have taken Salsa dancing to its highest level be recognized throughout the world on ESPN. Who knows where this will go… Salsa, “Cirque du Soleil” style…? The possibilities are endless.

2005 WORLD CHAMPIONS

ON "ONE" -
1st Place - Abel Pena and Ziomara Torres!!
- Los Angeles, California USA

2nd Place - Erica and Joel!!
- Oaxaca, Mexico

3rd Place - Rafael Arenas Jr and Maria Jossee Strazero!!
- Montreal, Canada


ON "TWO" -
1st Place - Oliver Pineda and Luda Kroitor!!
- Sydney, Australia

2nd Place - Junior and Emily Aliva!!
- San Francisco, California USA

3rd Place - John Navarez and Liz Rojas!!
- San Francisco, California USA


"CABARET" DIVISION -
1st Place - Ricardo Murillo and Viviana Vargas!!
- Cali, Colombia

2nd Place - Rodrigo Guzman and Yesenia Adame!!
- Los Angeles, California USA

3rd Place - Jhesus Aponte and Marielys Molina
- New York, Puerto Rico and Venezuela

"TEAM" DIVISION -
1st Place - Pretty Boys &Girls!!
- Bay Area, California USA

2nd Place - Salsamania!!
- San Francisco, California USA

3rd Place - San Tropez!!
- Montreal, Canada


EXHIBITIONS BY:
Billy Fajardo and Katie Marlow / Miami, Florida USA
Tito and Tamara / Puerto Rico
Los Rumberos / Los Angeles, California USA and Guadalajara, Mexico
Swing Guys / Milan, Italy
Victor and Gaby / Mexico City, Mexico
Brandon and Serena / Chicago, Illinois USA
Nicolas and Patty / Valencia, Spain and Manchester, United Kingdom

ESPN showing:  April, 2006

Next Years' Event:  see www.atpevents.com for complete details!

Salsa for all ages:

Watch Niko (30) and Patty (72) in one of the exhibitions as part of the ESPN Show.DVD available now.
 

Le da candela la salsa al reggaetón

(El Nuevo Dia Orlando,9 de Julio 2006)

Orlando prefiere el género de Gilberto Santa Rosa que el de Daddy Yankee

Nota del Editor: Este el primero de una serie de dos artículos sobre la salsa y el reggaetón en Florida Central.

Por Cristina Fernández
cfernandez@endorlando.com

Orlando-Por más géneros musicales que lleguen al público general, la salsa continuará siendo el ritmo preferido de la mayoría de los hispanos en la Florida Central.

A juicio de varios expertos consultados por El Nuevo Día, diversos factores contribuyen a que este mercado sea el nicho ideal para los amantes del popular ritmo.

“Para la radio hispana este es un mercado bien atípico porque tienes una comunidad inmigrante- especialmente puertorriqueña- que se deja llevar por el factor nostalgia y siempre hay que tener esas canciones que fueron éxitos hace 10, 15 ó 20 años atrás”, destacó José “Súper” Martínez, director de programación de La Nueva Mega 98.1

Es por esto que no debe extrañarse de escuchar clásicos de Ismael Rivera, Eddie Santiago y hasta el inmortal "Devórame otra vez" de Lalo Rodríguez, quien precisamente reside en Orlando.

“Tenemos la particularidad de que este mercado está compuesto en su mayoría por puertorriqueños que se mudaron hace poco, profesionales que vivieron en la era de la música tropical. Hay que añadir que hay muchas otras comunidades como la colombiana que también prefiere la salsa y la dominicana que va por la bachata”, destacó Raymond Torres, director de programación de Rumba 100.3.

Actualmente el mercado en la banda FM es atendido por dos estaciones, La Nueva Mega y Rumba, pero los exponentes del género tienen otros foros como las populares salas de baile que cada fin de semana se llenan a capacidad.

“Eso es algo que tú no ves en Puerto Rico y aquí sobran los salones donde la gente disfruta de bailar merengue, ritmos tropicales y, por supuesto, salsa”, añadió Torres.

El año pasado para esta temporada, la súbita popularidad del reggaetón provocó que muchos se cuestionaran si la hasta entonces supremacía de la salsa y otros géneros tropicales moriría en Orlando.

Afortunadamente para algunos no fue así.

“Hubo momentos que lo único que tocábamos era reggaetón, pero con la llegada de la competencia el año pasado anticipamos que la gente se iba cansar y regresamos a nuestro formato regular de combinar géneros”, dijo Martínez.

Para el productor puertorriqueño Ramón Sánchez, quien ha trabajado con artistas de la talla de Gilberto Santa Rosa, Tito Nieves, Jerry Rivera, Ednita Nazario, Andy Montañez y muchos otros, el reggaetón está viviendo un buen momento, pero hay mercados como la Florida Central en los que es difícil cambiar lo establecido.

“En mis viajes allá he notado que es el típico fenómeno del inmigrante. La gente llega a buscar un mejor futuro, pero no pierde sus tradiciones especialmente las musicales. Su salsa y su merengue no faltan”, aseguró. De hecho este fin de semana se celebra en Orlando el Congreso de la Salsa, en el Rosen Plaza.

El productor añadió que aunque el reggaetón pareció copar los espacios de los demás géneros “hemos llegado al punto de que sólo los mejores sobrevivirán”.

Prueba de esto, asegura es la fusión de ritmos registrados en temas como "Lo que pasó pasó" de Daddy Yankee, "Dile" de Don Omar, "Ven báilalo" de Angel y Kriz y "Mayor que yo". En todas sus creadores optaron por cambiar el “beat” original del reggaetón a mezclas con bachata, merengue e incluso salsa.

“De eso se trata puesto que no pueden cansar el gusto del público”.

De hecho él lo vivió cuando Shakira y Wyclef Jean tomaron su arreglo de trompetas del tema "Amores como el nuestro" de Jerry Rivera y lo incorporaron al popular "Hips don’t lie".

“Los reggaetoneros son la Fania de la década del 2000. Hay mucha colaboración, trabajan unos en los discos de los otros y eso hace que salgan productos de mejor calidad”, destacó Sánchez.

Irónicamente, Orlando se ha destacado como una de las plazas importantes para los que quieren iniciar una carrera en la salsa.

“Tienes a grupos como N’Klabe que han pegado fuerte con el "I Love Salsa", Charlie Cruz y Michael Stuart que en Puerto Rico apenas se escuchan, pero aquí están entre los primeros 10”, dijo Martínez.